Adventures of a studio artist who works primarily with textile and mixed media art.
Sunday, February 28, 2010
Saturday, February 27, 2010
Friday, February 26, 2010
Fossil Series - Design Wall
Thursday, February 25, 2010
Wednesday, February 24, 2010
Tuesday, February 23, 2010
Monday, February 22, 2010
Sunday, February 21, 2010
Saturday, February 20, 2010
Friday, February 19, 2010
Mixed Media on Panel
For a while, I've been yearning to explore new mediums.
Last fall, after I got into collage, I ordered a quantity of 1/2" hardboard panels.
This piece is 12 inches square.
It is collaged, painted with fluid acrylics, and screen printed.
Collage materials include phone book pages and thread.
$140, postage paid.
Last fall, after I got into collage, I ordered a quantity of 1/2" hardboard panels.
This piece is 12 inches square.
It is collaged, painted with fluid acrylics, and screen printed.
Collage materials include phone book pages and thread.
$140, postage paid.
Thursday, February 18, 2010
Wednesday, February 17, 2010
Natural Bridge on the Boulder River
Tuesday, February 16, 2010
Sunday, February 14, 2010
Fossil Series 12 Inch Square
Saturday, February 13, 2010
Fossil Series - Auditioning Embellishments
I have been working on a 12" square. Now I am auditioning the embellishments.
Once I settle on an arrangement that suits me, I will most likely attach with "The Ultimate" glue, followed by stitching over the top of each embellishment.
All of the fabrics are hand dyed and screen printed. The piece has been free motion quilted.
Friday, February 12, 2010
Fossils Series - Polymer Clay Embellishments
Here are some of the molded fossils I made using my own collection as originals to create the molds. I am quite delighted with the way these have turned out.
Next, I will seal the Pearl Ex pigments in place, and then will rub on a darker shade of acrylic. The darker shade will fill the depressions to emphasize the dimension of these pieces.
Thursday, February 11, 2010
Fossil Series - Making Molds
I searched online for interesting fossil specimens to attach to the quilts in this new series.
I was a bit overwhelmed by the price of nice specimens, so I decided to try using the fossils I already have in my collection to create molds so I could make my own embellishments of polymer clay.
I was a bit overwhelmed by the price of nice specimens, so I decided to try using the fossils I already have in my collection to create molds so I could make my own embellishments of polymer clay.
I've never done this before, but I did find this mold making clay at Hobby Lobby. I dusted the fossils with corn starch before pressing them into the "Mold Maker" (a Sculpey product).
The molds are baked in the oven for 20 minutes and they come out flexible yet firm.
When molding with polymer clay, I dusted the mold first with these Pearl Ex pigments, which created a nice sheen on the molded pieces, but also helped them release nicely. I'll show my results tomorrow!
Wednesday, February 10, 2010
Ammonites
I have been working on a Fossils series. My screen printed fossil fabrics have been featured in previous posts. For the finished pieces, I want to embellish with real fossils, so I began searching for nice specimens. I found this group of 25 sliced and polished ammonites on eBay. They were shipped from Madagascar and arrived within a week of my order.
Aren't they lovely?
Aren't they lovely?
I
Tuesday, February 9, 2010
Yellowstone Art Museum Auction Opening
The Yellowstone Art Museum auction is the primary fundraiser. This is the 42nd annual auction. The final gala and live auction will take place on March 6.
Joe and I attended the opening reception. I was delighted to find my piece hanging prominently in the first room of the show!
We arrived early so I would be able to take a picture of my piece before it got too crowded.
The newspaper indicated that over 400 people attended the opening reception!
Monday, February 8, 2010
More Finger Painting on Fabric
Sunday, February 7, 2010
Fingerpaints
I've been monoprinting again.
Last summer, I met a man who's mother invented finger painting. Well, I looked her up online and she is indeed described as the mother of finger painting. She was using it therapeutically for adults. Anyway, I did quite a number of finger painted pieces using a gelatin plate - that was last summer. I have a large stack of those . . .and I know I need to take them further at some point.
Thinking about the process . . .I thought I would try it with a glass plate - and here are some of my results. It worked OK too. I was able to get a single good print with the glass. When I finger painted using the gelatin plate last summer - I was able to get several prints - the gelatin keeps the paint moist longer.
Saturday, February 6, 2010
Friday, February 5, 2010
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